A newly found beef between Nicki Minaj and SZA started and spilled out into the general public on Tuesday (July 15). And it seems to be no end in sight.

Nicki Minaj took to X to accuse Top Dawg Entertainment govt Punch—who has lengthy been affiliated with SZA—of on-line harassment. “So glad I have proof of being bullied by AND being lied on by a man PUBLICLY,” Minaj wrote, alleging she had rejected a number of enterprise proposals from him.

Shortly after, SZA appeared to weigh in with a cryptic post of her personal: “Mercury retrograde… don’t take the bait lol silly goose.”

Though the message didn’t point out Minaj instantly, it prompted a direct and pointed response. Minaj fired again, accusing the singer of subtweeting and mocking her look with a sequence of non-public jabs, together with: “Bitch looking & sounding like she got stung by a fucking bee” and “Draws on my fake freckles.”

Minaj didn’t cease there. She additionally criticized SZA’s chart achievements, particularly the nine-times platinum standing of her 2022 album SOS, which she claimed was inflated by way of its deluxe re-release.

“Bitch put out a whole new album as a deluxe… so the original album could break records,” Minaj posted. “I thought she was like a real artist? Girl bye.”

SZA declined to interact instantly however later responded with a press release defending her success and psychological well-being.

“I get bullied by millions online every day then step my ass out onna packed stadium tour where ppl show me REAL love,” she wrote. “My parents are healthy and I’m the most successful I ever been. GET SOME FUCKING PERSPECTIVE n BARK AT THE WALL!!!”

The battle marks a uncommon public rift between two of up to date music’s most influential ladies. Minaj continues to command consideration along with her unfiltered presence and dominance within the rap genre. SZA stays certainly one of R&B’s most critically acclaimed artists, celebrated for her introspective songwriting and genre-blending sound.

While SOS has damaged Billboard data and additional cemented SZA’s industrial attain, Minaj’s criticism suggests a deeper rigidity in regards to the evolving requirements of success in right now’s music trade. At the core of the feud are questions on authenticity, competitors, and the pressures artists face to take care of relevance in an algorithm-driven period.

As of now, neither artist has indicated any plans to de-escalate the feud. With social media amplifying each submit, the fallout continues to dominate dialog and should reshape how each artists are perceived as they navigate the following chapter of their careers.