Atlanta, Georgia emcee/producer Tha God Fahim recruiting Mr. Skip to provide his 63rd EP. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we can also’t ignore the huge discography that he’s managed to construct for himself, a few of the standouts embrace Breaking Through tha Van Allen Belts & Dump Assassins. He’s been placing out amongst his greatest materials up to now few years just like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King collection, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Sagaproduced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. I don’t even have to say the Dump Gawd: Hyperbolic Time Chamber Rap saga since the season finale’s coming quickly, turning into The Dumplorian this 4th of July.
“No Limit” was a cool selection of an intro advising to cease should you can’t discover the rhythm whereas “Mayor” fuses chipmunk soul & increase bap dividing the whole lot into proportions so the entire household can eat. “Temptations” has a lavishly drumless vibe to the beat speaking about being afraid of staying the identical whereas “Duck Season” shifts over into chipmunk soul turf once more having too many causes to be killing this many mics.
Continuing the lo-fi sampling, “Giant” talks about being an outcast for just about his entire life referencing the Nintendo-owned Super Smash Bros. franchise main into “Dump Gawd Theme Music” jazzily flexing that his rhyme massacres are inclined to happen with none reasoning. “Bueller” that includes Mr. Skip himself closes the EP with a remix to their first ever collaboration that Skip breathed new life into.
The Lethal Weapon trilogy has primarily been serving as breathers within the midst of the Dump Gawd: Hyperbolic Time Chamber Rap collection & I can say the identical with what Fahim does right here on prime of that. Mr. Skip approaches his manufacturing right here like he’s a rating utilizing murky loops, soulful grit & cinematic power entrance to again leaning in direction of that uncooked lo-fi aesthetic with out sacrificing the musicality or message.
Score: 7/10