Nas & DJ Premier End the Legend Has It Series by Staying “Light-Years” Ahead (Album Review) – UndergroundHipHopBlog.com
Queensbridge, New York icon Nas linking up with DJ Premier for his 18th LP. Known for being the son of jazz cornetist/guitarist Olu Dara, his debut illmatic & the equally basic sophomore effort It Was Written would each go on to be extensively acknowledged as among the biggest albums in hip hop historical past. I additionally get pleasure from stillmatic, The Lost Tapes, God’s Son & Life is Good. Then there was the Kanye West-produced NASIR & The Lost Tapes II, which I felt like they have been advantageous additions to his catalogue though the general consensuses have been polarizing. Both the King’s Disease & Magic trilogies produced by Hit-Boy nonetheless would all develop into his most celebrated materials since Life is Good, ending Mass Appeal Records’ historic Legend Has It sequence with the legendary Light-Years popping out after nearly 2 entire a long time within the making.
“My Life’s Real” opens up by speaking about telling the reality as a result of there’s no use in mendacity over a piano-driven growth bap instrumental simply earlier than “Git Ready” brings a funkier vibe to the desk laying down legal strains all due to some paper. “N.Y. State of Mind 3” serves because the trilogy chapter to one in all my high 10 Nas songs in his entire total discography sampling Billy Joel whereas “Welcome to the Underground” flips a guitar so he can speak about tuning cornballs into cornstarch.
As for “Madman”, we’ve got Nas eerily coming collectively to drop murderous materials from a psycho whereas “Pause Tapes” recollects making his 1st beat by utilizing twin cassette decks to loop samples. “Writers” blends funk music & growth bap to allow them to give their flowers to hip hop’s oldest factor a.okay.a. graffiti writing previous to the “Daughters” sequel “Sons (Young Kings)” sampling a piano for a shoutout to everybody of their lives who’ve sons of their very own wishing them nothing however essentially the most highly effective bond.
“It’s Time” continues the 2nd half of Light-Years conserving it funky speaking about the entire idea of time itself whereas “Nasty Esco Nasir” samples some strings combined with kicks & snares promising the world that we’re coming into the 4th part of his profession. “My Story Your Story” that includes AZ makes for the one visitor look & 1 that doesn’t disappoint, tossing the mic back-&-forth with one another seamlessly for 4 minutes whereas “Bouquet (To the Ladies)” devoted itself to the ladies on the market.
The track “Junkie” rounds out third with an orchestral growth bap crossover speaking about being his great-great-grandfather’s dream within the dwelling flesh whereas “Shine Together” means that simple cash is theft within the grand scheme of issues, changing into more and more phenomenal for each phrase he spits. “3rd Childhood” finishes off by revisiting the idea of “2nd Childhood” from stillmatic, which I’ve all the time associated to particularly since I grow old together with a reference to the late Black Sabbath frontman & WWE Hall of Famer Ozzy Osbourne.
There was a time limit the place individuals thought Light-Years wouldn’t ever see the sunshine of day equally to Redman’s ninth album Muddy Waters 2 final Christmas Eve & roughly 37 months since “30” on King’s Disease III teased it, I’m grateful it lastly got here to complete what has been amongst an important years in Mass Appeal Records’ total decade-long historical past. DJ Premier’s jazzy growth bap manufacturing rivals Hit-Boy’s all through the King’s Disease & Magic sequence earlier this decade and Nas’ pen continues to sharpen with time.
Score: 9/10
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