At a current present in Houston, Ice Cube paused his efficiency to ship a blistering critique of right now’s rap performers—particularly, those that let the group do a lot of the rapping for them. The West Coast icon, identified for his commanding supply and no-nonsense artistry, criticized what he sees as an absence of effort in fashionable hip-hop performances.

“Don’t you hate that?” Cube requested the viewers, in a viral clip that shortly unfold throughout social media. “You spend all your money for them tickets, pay for parking, get your hair done, get an outfit—and then you gotta come to the show and sing all the fuckin’ words? Come on, man.”

Fans roared in settlement as Cube continued, taking goal at rappers who level the mic towards the group as an alternative of performing their verses. “I hate performers who, half the show, they like this,” he mentioned, extending his hand as if holding out a microphone. “That’s some bullshit, man. I came to hear you rap, motherfucker. I’m doing half the song.”

ICE CUBE RIPS Rappers Who Make The Crowd Rap The Lyrics At Shows

The crowd’s response highlights a shared frustration amongst hip-hop purists who’ve seen the rising development. Artists are counting on backing tracks and viewers participation as an alternative of dwell supply. For Cube, a performer acknowledged for his highly effective stage presence and lyrical ability, this shift displays a deeper subject.

His feedback highlighted an ongoing debate about authenticity in hip-hop. Many older followers see the usage of pre-recorded vocals and fan engagement as shortcuts that compromise the artwork. Cube’s easy remarks challenged youthful artists to take their performances significantly.

Online, followers praised his stance as a needed reminder of hip-hop’s roots. “Cube said what needed to be said,” one person wrote. “We pay to see artists perform, not lip-sync.”

A pioneer in Gangsta Rap, Ice Cube stays a uncommon mix of entertainer and truth-teller. His Houston remarks reaffirmed his popularity as certainly one of rap’s final purists—an artist nonetheless dedicated to efficiency as a take a look at of ability, not a spectacle of shortcuts.